Roping an Eclipse in Texas

Most eclipse enthusiasts plan far ahead to catch brief moments of totality. I had a week. My wife considered me certifiable for even considering the option.

Jury Duty was to have obligated me to stay in Seattle the week prior to the eclipse. By the grace of a just and compassionate clerk, I received permission to be excused. ( I have been called several times and served once before but circumstances have changed. I did not use the Rapture at the end of the world as a zealous fanatic’s plea.)

Prices were reaching the dangerous blood letting stage. Airlines, rental agencies, hotels and AirB&b’s all wanted a piece of the action, and all were gouging clients into submission. My wife was skeptical that anything could be arranged…but I had the faith in miracles. Or just plain dumb luck.

By covering all the bases from airlines to B&B sites, I managed to plan a route via Albuquerque that had a reasonable cost basis…and most nights were booked along a route to Llano and Fredericksburg, Texas. I know, I know you are asking, “How can a woke liberal from a Northwest socialist redoubt compromise his code of honor to venture into the land of Christian Nationalists?” My answer- “When it comes to extraordinary celestial events on this blue marble, we can all marvel at the wonder without prejudice.” After all, that commie troubadour Woody Guthrie declared, “This land is your land, this land is My land, …this land was made for you and me.”

Well, at least that is my excuse and I am sticking to it!

To be prepared, I sent for eclipse glasses and invested in a new lens with sun filter for THE shot…without any clue on how to shoot the sun. I was hoping someone would help me navigate the cosmos and capture the moment.

I boxed up my Stetson hat (I didn’t want some asshole line jumpers crushing my brim in the overhead bin), pulled on my cowboy boots and told the limo driver to giddy-up.

We eased into the SW experience by acclimatizing to the heat in Albuquerque. Walking in the sun for two hours seeking petroglyphs may not have been the smartest strategy.

As a respite, we retreated to the Botanical garden. Food options were fatty starches topped with green sauce, with fatty starches as a side. Weighed down with the carbo load, we trudged into the garden…and were surprised at the extent of the place – indoor Mediterranean niche, indoor desert niche, Japanese garden with waterfall and large pond. Though the Heritage Farm was closed for a redesign, there was a large outdoor train set for kids. The butterfly garden was not all a flutter (nothing was emerging in this season) and the bug building was closed.

Our second night, Michele refused to give up on a reservation to the Antiquities restaurant. Since no one was answering the phone, she walked into the place and made her case. (Dropping the name of our B&B might have helped since the owners of our B&B were regulars at this establishment.) No enchiladas or nachos at this high end joint. Rare seared tuna landed on my plate.

Heading to Texas, we took a long detour via Amarillo so that we might finally walk in the shadows (unless we arrived at high noon) of Cadillac Ranch. I would not say this “art” piece was high on our bucket list, but since it was sort of on our way…why not park it.


Anyone can be a tagger at Cadillac Ranch. For a few dollars, you can buy spray cans at the trailer near the entrance, and leave your mark for posterity…or until someone else splatters a sign over yours. We avoided tagging and inhaling paint fumes at the windy site. A knock-off road side attraction offered up some small T-shirts for grand nephews and nieces. (We try our darnedest to help the kids develop artistic appreciation…even for Low art.)

Anyone can be a tagger at Cadillac Ranch. For a few dollars, you can buy spray cans at the trailer near the entrance, and leave your mark for posterity…or until someone else splatters a sign over yours. We avoided tagging and inhaling paint fumes at the windy site. A knock-off road side attraction offered up some small T-shirts for grand nephews and nieces. (We try our darnedest to help the kids develop artistic appreciation…even for Low art.)

We had arrived in Guns Are Us territory. Time to zip it, and keep our existential Woke opinions about personal freedoms to ourselves. I had my suitable camouflage spread out on the back seat with my hat and boots ready, just like firemens’ gear, for any emergency flare up of hot rhetoric coming our way. As a first line of defense, I wore my Zuni belt buckle to deter any initial onslaught of sarcastic slings and arrows of outrageous Trumpists.

OMG, the country around Amarillo is FLAT. A relative who lived in Fredericksburg , called it the armpit of Texas. What draws people to this land? Do they just want to be around other desperate folks, sharing their misery and fanning the flames of hatred towards the Others out beyond the horizon?

I pushed the pedal to the metal…literally since I am an “Obey the speed limit” sort of guy but here the limit is 75 with most drivers pushing the cruise control to 80+. And for good reason since the roads are straight to the perspective vanishing point, and who wants to hang around in a wasteland. Obviously some farmers love their acres and when they take a load off, they settle back with their 24/7 Fox News propagandists and survey the world from a Lazy Boy armchair with a jaundiced eye.

Perhaps I am too judgmental. Please forgive me for overgeneralizing. After all these are people of faith, followers of Jesus who preached love and compassion, and turning the other cheek.

Sarcasm hurts.

Arriving in Post later one evening, we found our restored Garza hotel/B&B on the main drag . Owners had worked for over 15 years to restore it. Rooms were decorated from red Bordello style, to cozy Yellowstone vintage furnishings as well as a more modern room with clean lines…that we chose.

We had moved from one vanishing point on the horizon to another down the hall. As for dining spots, choices were limited. George’s was the only place in town so we walked. No one seems to walk in these towns. Truck drivers glance down at you, sizing you up as potential road kill.

George’s was busy. It turns out there was a regional T-ball championship that evening and families and friends were grabbing late meals. The saving grace of my meal was the side dish of yogurt, sliced tomatoes and onions to accompany my Greek gyro meat. On my plate placed next to the dry sliced lamb/beef, was rice, French fries, and pita bread…starch, starch and more starch. Michele swallowed down an unrecognizable chicken fried steak, beaten to a pulp and smothered with a pale, glutenous “gravy”. Now many other items were offered from burgers to enchiladas, so I am sure there were more delicacies to enjoy. I was hoping dessert would save the day but unfortunately the pecan pie could not rise to the occasion. Service was lovely, and before dinner one elder gentleman cleared tables slowly and methodically, giving our table an additional wipe down and leaving us with best wishes.

On the way back to our hotel, to avoid being mistaken for a speed bump by the cattle trucks rolling along route 84, we walked down dark and broad empty back streets.

Breakfast included fresh scramble eggs, fresh biscuits, bacon, fruit juice and yogurt plus dry cereal…but no decaf. And no coffee shop for a bone dry cappuccino. What’s a Seattleite to do? Suffer like the early pioneers.

On the recommendation of our neice’s husband (who along with our niece started a coffee shop and coffee roasting business in Fredericksburg before moving to Orcas Island in the San Juans), we stopped by the Jackson Brothers for beef jerky. From the scent, it seemed like they slaughtered on the premises. With some conditions, as seen below.

The Jackson Bros were not accepting wild game due to a contagious disease. So no venison for the road. We left with a bag of jerky and some frozen sausage. Big spenders.

San Angelo was our next destination, and Michele eventually located a route off the main highway , using two lane ranch roads. Landscapes of wind turbines spread to the horizon, then scrubland with the occasional pumpjack oil pumps lending the wind a pungent fuel depot aroma. Ravens and buzzards circled overhead or clustered around road kills. We veered off Business route 203 to check out Colorado City. Though on first impression the main business area seemed deserted, a coffee shop and small boutique were showing sparks of life along the street. Ah…but yet again No Decaf! I was beginning to feel a bit emasculated. I was not drinking the real stuff so I must be made of lesser stuff. (I am reminded of a trip to Death Valley, when I called from the Furnace Creek Motel to the fancy Furnace Creek Inn up the hill, as to their tea time. The pleasant clerk informed me that I would need to contact the golf course. I did not know whether to suffer the humiliation of having to make the distinction between the delicate perfumed sipping tea served with cookies in an air conditioned lounge or feign interest in the macho hard driving tee on a 110 degree, sun baked fairway .)

Fresh real squeezed lemonade quenched our thirst. We were parched, as they say out on the range.

The Music Garden B&B was nestled between a wide state highway 87 and the Concho River. Interior decoration was cutesy to the point of terrifying. Just as clowns can freak out even the sweetest souls, the kitsch collection was overwhelming, and breathtakingly creepy. Packed into every available space were ceramic figures, tea cups, tea pots, angels, artificial bouquets, pathetic abandoned dolls and so much more…and more. Like some portraits in galleries, many eyes appeared to watch your every move. You had to wonder if , at night, some scurried silently around at night like New York cockroaches, scheming to trip you up on the way to the bathroom and cover you with slimy sentiment.

Melody , the owner and retired music teacher, confessed to never saying no to a bargain kitsch object. Though we never met her, she seemed very nice. And to be fair, not all rooms were overstocked with adorable collectibles.

Michele researched a good place to eat, The Grill. But we had to drive out to the edge of town near a Kohl’s plaza to find the spot. This meant weaving between various models of monster pick-ups on the main avenue. The Baby Back ribs made up for the hazards on the route.

The San Angelo Art Museum with its swooping roof sits above the Concho. An artificial cascading waterway weaves down channels below to the river walk.

We were too late to see the exhibits so we walked for a mile or so along the River walk. Golfers to our right and to our left, across the river, the 1% resided with landscaped gardens leading down to the calm waters.

Apparently there is money in San Angelo. How does one accumulate wealth here? This is where they manufacture wind mills and wind turbines so the answer is blowin’ in the wind.

Back at our kitsch retreat, we walked down a block to the river walk at sunset…and it was moment from Hitchcock’s The Birds movie. Thousands of black birds were coming to roost along the river, calling and swirling and jostling for space. And then the Stillness.

Nothing haunted us during the night, as far as we are aware. Breakfast was delivered to our door in a basket. And what should our eyes behold – a pig in a blanket.


Not entirely nourished we headed southeast to Fredericksburg, past a few more aromatic jackpumps and then into hill country. Scrub transitioned to low trees and rolling hills. Wild flowers carpeted the sides of the highway and beyond where there was undisturbed land.

Our relative in Fredericksburg is a sourdough bread maker in high demand. Folks will wait in line for 30 minutes to buy a loaf. Josh never used to travel much since he was worried about abandoning his starter. Last time we saw him in Washington, he had entrusted his wife with feeding the finicky eating sourdough bacteria. He had come up to learn about those bakers working with local farmers to cultivate rare local wheat varieties. Now for production, he has agreements with local Texas growers. After talking on local history and present water rights issues, we helped carry bags of bread to the Caliche Coffee house started by his brother and his brother’s wife (Michele’s niece) under the name Ranch Road Roasters. Definitely a tourist town, but the numbers were low for the day before a major celestial event. Some media may just have overhyped the eclipse or the weather reports encouraged cancellations.

Given my last minute planning, our next night in Llano was a fine example of Texas hospitality. The Sandstone B&B only had one night available so recommended we contact a local resident about a guest room. Well, Darlene offered, not her guest room, but the whole house. She was gone visiting her daughter and said the door is never locked so walk on in. She left bacon and eggs for us in the refrigerator and homemade cinnamon rolls were beckoning on the kitchen table. Sweet!

The Llano River was just a couple of blocks away and the day of the eclipse we settled in the shade on a sand bar. Clouds threatened to ruin our view…but just twenty minutes before the event, the sky cleared. It was a Miracle, though no Rapture followed when the moon closed in on the sun.

Since I failed miserably capturing the eclipse with my camera, the neurosurgeon nearby provided this shot. The four minutes plus of totality were worth the trek. The shift in light, temperature and sounds on the Llano River sand bar were phenomenal. Even a sliver of sunlight before totality provided a fare amount of light. Only the full eclipse, with glasses and filters off, changed the world around you. Though the event did not bring us to tears like some NPR reporters, Michele and I did hug and hold hands watching in awe. The crepuscular light tinged all the clouds around the horizon…and then it was done.

We celebrated by going to Coopers BBQ, standing in line with a crowd of voracious carnivores, selecting our cuts viewed through a cloud of savory smoke. Having avoided the End of the WOrld as we know it, everyone wanted to get back to their Neanderthal roots and have a feast. Since no cave was available, we headed back to the sand bar. We had the Llano River setting to ourselves now (though only about 15 people were up and down the sand bar during the eclipse) and devoured the meat with gusto.

We rested that night at the Sandstone B&B, with smirks on our faces for managing to chase an eclipse and rope it in. Morning breakfast was waffles with fruit and whipped crème something plus bacon…and DeCAf! Yahoo! The wide porch with white rocking chairs provided a quiet retreat as thunderheads were gilded by the morning sunlight. Doves cooed in a chorus around the property.

On our way west, Colorado City lured us back to the Cactus Coffee shop. Teriyaki Chicken and loose leaf English Breakfast made the day. And then in walked a Real Cowboy…with spurs on. His jacket showcasing a championship rodeo ride on his back. The restaurant owner had been serving him coffee for years..and he always wore his spurs. I just couldn’t figure out how you drive a truck with spurs on. The floorboards must have holes from driving all that horsepower.

And then back to Post to a full Garza hotel of returning eclipse chasers. At breakfast, a couple chatted us up and asked where we had viewed the eclipse. Michele said Llano…”Oh, you mean Yano. In Spanish you don’t pronounce the L in a double l word.” Michele responded that in Llano it is pronounce Llano with an L sound, so who were we to quibble. Especially since Texas whites took over Llano after the Comanches left, killing a few German Fredericksburg residents on the way .[ The Germans did not believe in slavery so had a few issues with the auslanders (foreigner types.]. According to our relatives, some German descendants are still a little sensitive about the issue, so when meeting strangers, they ask for the stranger’s last name to verify their heritage.

After a few hours on the road, driving 75+ all the way, we took a break in Fort Sumner to visit the Billy The Kid museum. This warren of rooms was crammed with memorabilia and some odd miscellaneous collectibles…like Barbie Dolls. But they offered fake arrowheads for the grand nephews. We passed on the ceramic crosses.

That’s Billy playing croquet…sometime before he was shot down and buried nearby.

With some extra time on arrival in Albuquerque, we visited the Albuquerque Art museum.

And they had a special exhibit on the development of the atomic bomb. Never realized that uranium is found throughout the region…and probably a little residual fallout too.

And to cap it off, a tableau of How The West Was Won:

I am so surprised some rabid Christian Nationalist Texan has not splashed this oh so Woke image by now. More power to New Mexico for exhibiting all views of the Wild West.

Well that about wraps it up. Happy Trails, until we meet again.

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Clear Options

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A Mitch Mess

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Myth Making

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A Dali Dog Day

How do I love thee…let me count the surreal ways. So a friend requested an image of her favorite canine companion, and when I saw his startled face (or is it a look of high anticipation just as one utters, “WALK?”) with his droopy jowl, it spoke to me of Dali’s surreal view of the world. A little trippy maybe?

The inspiration of the Dali Dog came from a painting by Salvador Dali called, : “One Second Before the Awakening from a Dream Provoked by the Flight of a Bee Around a Pomegranate”. It is really hard to find the bee in the landscape, but the buzz must have been awesome…along with whatever stimulant buzz provoked the tenuous moment in his head.

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Dreamscapes for the kids

I asked my brother what the grand nephew and nieces’ animal totems happened to be, figuring I would draw some lion, and tigers and bears for presents this year. Oh my, no. Anime characters supersede beasts of all kinds and Pikachu rates highly in their fertile imagination. But just on one side of the family back east. 

So I set about to create dreaming Pikachus, with baseball caps that have the Lake Monsters logo (a local Burlington baseball team) and a vision, not of sugar plums dancing in their heads, but Al’s French Fries. This gustatory delight is on most locals’ minds when around South Burlington and even when someone (me) is across the country in Seattle. Burgers are just average but fries, very real and outstanding. 

[The two clothing outfits come from original Pikachu images by Ken Sugimori, Pokémon Art Director : Picachu Libre and Picachu Pop Star.]

For the other niece and her kids, there was no need to duplicate an image in order to keep jealousy tamped down and rivalries at minimum. 

On this side of family, one child is fascinated by foxes. The fox really has become a totem animal for her. For the older teen, all I could glean from my sources was that he was intrigued by the style from the 70’s and 80’s. After reviewing way too many psychedelic images of flowers that popped or feverish landscapes that made my head spin, I fixated on the weird wonderful world of Warhol. Without any trippy drugs, I managed to recreate a set of his animals…though I am not sure what trip he was on when he envisioned this menagerie. He was definitely thinking outside of the box…the Animal Crackers box. I do give him credit for focusing on some endangered species in his animal series.

On my wife’s side of the family, most relatives reside in the Northwest around Seattle, and my instructions were more explicit. For one niece’s three year old – cuddly cats or rabbits, and anything with Wogira (anime sea monster) for the seven year old. Since both kids had joined us for a tour of the Hokusai exhibit at SAM (Seattle Art Museum), and we were giving The Wave Lego set to the family, I contemplated rolling Wogira into a scene evoking the famous rogue wave.

No subtext with the cute bunnies, but my version of The Wave carries some undercurrents. Cartoon characters from my past confront the upsurge of modern anime with defiance…or nonchalance or perhaps a fair amount of resignation. Snoopy will always ride the curl. And then there is the threat of authoritarianism rushing in to overwhelm all…but this is not the place for diatribe, just hints of swelling concern. (By the way, I switched Mt Rainier for Mt Fuji, for local flavor.

Two more young ones, children of another niece on my wife’s side, had very specific interests: unicorns and turtles.

For the unicorn, I did find an image of the unicorn horse head (partial) and mane, on the internet and then added mouth, legs and wings ,storm clouds and rainbow to complete the mythical creature. Most unicorn drawings/paintings are just too saccharine for words…or images, so I focused on one that showcased power. And for the Flat Earth imagery, I just riffed off of the classic ancient Hindu portrayal of the earth and cosmos, without “…turtles all the way down.” 

Some friends have requested reproductions…so if that ever happens, I will post about the opportunity to get some of these images provided I am not stepping on anybody’s copyright toes.

[I used fabric pens and then cleaned up the images with Procreate later.]

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On the Hokusai wave

I was swept away by the Hokusai exhibit at the SAM (Seattle Art Museum) and felt the need to submit my reflection on The Wave. Not to make light of the work or mock the cliche that it has become. So inspired by our visit, I initiated the work on fabric (FabricMate felt tip pens and Tulip Fabric Markers…and cleaned up the image on Procreate for reproduction).

This woodblock print and its many deconstructed images seem ubiquitous. We located one print in a drawer in a back room of an Australian museum. Who knew?

Now I have never encountered a rogue wave at sea (though I did go through a gale on a tramp steamer), yet in the world of allegory, I am now experiencing a rogue wave of enormous proportions in 2024. The newspaper business is offloading editorial cartoonists like disposable plastic tossed in the ocean. Old cartoon characters are fading from newsprint and the imagination of new generations…and anime monsters are taking over the screens. And then there is the wave of disinformation and MAGA which refuses to dissipate. SO let Snoopy lead the way and let’s master the swells. 

The SAM exhibit offered other views of Mt Fuji and powerful surges:

I was more inclined to see dragon claws in the wave crests, rather than graceful seabirds. Maybe I see more imminent threat in the rogue wave than soaring beauty. Maybe I should have done my Tai Chi before choosing to visit the Museum. 

The work of some artists who have been influenced by Hokusai, are on display including a piece by Yayoi Kusama:

Though as described above, she “…stated that her series is not inspired by any other artist’s work”. Really! 

We came across her work this year in Amsterdam and someone just could not take it all in…or maybe this is the only way to immerse in her kaleidoscope world.

For pure abstraction by an artist living in the late 18th and early 19th century:

Check out the vertical lines in Francis Celentano’s work (past UW professor of art).

I read somewhere along the exhibit walls, that Hokusai described the technique for creating water spray. I am paraphrasing here, but he said to dip the brush in plenty of white paint then hold up the brush in front of your mouth and blow, making this sound – “ phoo,phoo,phoo! ” Lacking this sophisticated technique for the expulsion of hot air, I resorted to the Splatter selection in Procreate.

Reader Alert: if sensitive to erotic art , DO NOT continue scrolling…but there is another side to Hokusai:

How can one ever eat an octopus appendage, after wallowing in this suggestive piece?

And for the grand nephews, nothing rated as highly as the massive Lego depiction of The Wave.

Legos rule! Such varied uses for conveying messages through art. In 2015 we headed to San Francisco to see the Ai WeiWei exhibit on Alcatraz. One large warehouse space floor was covered with depictions of political dissidents and prisoners around the world…all in Legos. Each one had been numbered and shipped to the US to be assembled since, at the time, WeiWei could not leave China.

Next major project in Legos by WeiWei was stymied by the Lego corporation since they did not appreciate the “misuse” of their plastic for political purposes. So WeiWei left a Mercedes outside the Seattle Asian Art Museum with the sun roof open, and asked for Lego donations to be tossed inside the vehicle. 

[Many thanks to SAM for the exhibit and the descriptions of each piece. ]

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Epic Pirate Ship battle on the High Seas

Strolling above the Sound with the pungent smell of the mud flats wafting up the slope and seagulls crying of storms brewing, we came across two adjacent dry docks offering weathered pirate ships for sale. We checked with Lloyds of London yet they declined to invest (their loss), so we tossed in two dollars each and hauled the vessels to our shelter for refitting.

A thorough swabbing from poop deck to the deep hold and the hull gleamed. Two new portholes needed constructing, yet sails deployed easily, rigging was intact, and anchor chains deployed smoothly.

Next we decked the ships out with fitting flags and pennants to celebrate future successful plundering. Stella (the mermaid manatee) chose a classic Odalisque pose for posterity and Pussy (the Shiva Octopus) struck an “all hands on deck pose”.

Recruiting a crew was a challenge since boutique cruise lines were paying bonuses and free grog for genuine rogues. Long John Silver was off seeking buried treasure. So we took the drastic step of dragooning several crew members from other narratives:

the frog who stole grandfather’s teeth and Carl the robot from A Day With Wilbur Robinson, the bear and rabbit from I Want My Hat Back, and Owl from The Night Owl.

Though not happy, the crew settled in comfortably when they realized more adventures did await, and they could avoid being stuck in the same narrative day after day.

So now the refitted vessels sit at anchor waiting for two young Masters to go down to the sea in ships. Young Captains Horatio and Jack Aubrey are preparing their sea bags for the next voyage.

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Toon time Travels : Amsterdam and Paris

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Modeling Vermeer

The Rijksmuseum had announced they had more tickets for this special exhibit…if you were willing to pay an exorbitant fee for a flight over, avoid jet lag with several shots of espresso and seek directions for a time slot in the middle of the night. We avoided this rush when my sister-in-law pushed the buy button several months ago and got 12 tickets. We were the last to commit due to a kitchen remodel (more on that later), and so spent a wad to get to Europe and find a decent double bed…but we had avoided major overseas adventures for three years and found every excuse to invest in the art immersion.

We do not have quite the fixation on Vermeer that my sister-in-law (Michele’s twin) and her husband. They are aiming to see all Vermeer paintings within their lifetime and this exhibit made that Bucket List goal achievable. We , on the other hand, are seeking all Caravaggios – (Oh, just because he was such a rogue and died young like many rock musicians in our time. And of course his use of light and renderings of subjects is extraordinary.) And we even came upon one in the Louvre by accident, The Fortune Teller, later in our trip.

The Fortune Teller by Caravaggio in the Louvre, Paris
Another version we had seen in Rome at the Capitonline Museum. In both she is slyly stealing his ring as she “reads” his fortune.

So the exhibit halls were busy but paintings not unapproachable, if you wait patiently for the current to sweep you by the intimate works. These are not huge on the scale of some Delacroix, Gericault or Reubens paintings where you must stand back to be engulfed with scene like a Cinerama theater experience. These works demand close scrutiny so viewer etiquette is most critical. Some viewers just do not get it and stand for minutes upon minutes right smack in front of painting. I can admire their awe, but hell man get your butt in gear and move on. I guess I was experiencing art rude rage.

Our two grand nephews, age 3 and 7, were with us and have been exposed to enough art to actually have a glimmer of interest. Museum guards soon let me know even before climbing the stairs to the exhibit, that I would not be able to place the littlest on my shoulders for preferred viewing. So we maneuvered as best we could to make sure they saw most of the images, if from an almost ground level perspective. The Map Reader caught their attention. We often talk of past travel adventures with the kids, spinning a globe or searching maps to show the locations of past events. Yet soon enough , one inquisitive young one piped up, “I want to see penises and bottoms”. Wrong gallery for that exposure.

No mention is made of the theory that Vermeer might of taken advantage of a Camera Obscura to accurately depict perspective. At least they mention one piece has a pin hole, used to create single point perspective using thread. But one is amazed at the fixation with depth in such small studio spaces.

[Side note: Single point perspective in a painting first showed up in the fresco The Trinity by Masaccio (1427). His intent seems to have been to draw the viewer right into the moment by using the perspective of the onlooker.]

The Trinity by Masaccio, Santa Maria Novella Church, Florence Italy

Vermeer also draws you into the scene so that at times you seem to be expected (an empty chair may beckon), or gazing on others you are privy to personal moments defying discretion. A voyeur of a Vermeer, as a young woman reads a love note. Or you may steal a glance through an open door of a disruption in the atmosphere of home life.

The Love Letter by Vermeer (1670)

Check out another Love Letter painting for a contrast, painted almost a century earlier. Nothing secretive, this proposal is upfront and personal and you, the viewer are complicit. Quite the difference between the French and Dutch messages of love.

The Love Letter by Francois Clouet (1570) @ Madrid

Here is another compare and contrast image. de Hooch painted very similar scenes to Vermeer but they were less intimate, more open and less claustrophobic.

Interior with a Woman sewing and a Child by de Hooch (1662-1668) @ Madrid

By viewing many of the Vermeer paintings alongside each other, I realized how staged these setting were, with the same models or same outfits sometimes in the same room though unique details of wall hangings and art lent significance to the paintings meaning.

Patience and meticulousness were needed to complete these works. I gain great satisfaction in creating a political cartoon in a few hours, yet sitting for days and days to fastidiously apply thin, maybe even single hair brush strokes to a painting is beyond my comprehension. Perhaps people in those times were less easily distracted, and had more time to focus on the intimate details. The broad and quick brush strokes of Frans Hals at 80 years of age or the impressionist plain air landscapes, all have an air of spontaneity and vitality, even motion in still settings. Vermeer’s work is precious, capturing fleeting moments and setting them in amber.

Models probably yearned for the Camera Obscura, just to avoid holding a pose for eternity as Vermeer captured a glance, a look, a gesture for posterity. I empathize with the models. As a five year old, I sat for a portrait briefly and the artist took several photos of me to work from, so I did not suffer cramps holding the pose. What you do not notice, given the obligatory smile on my face, was that the family and the artist refused to let me wear my coonskin hat for the sitting. Unlike the portrait of a resolute Churchill that captured his indomitable spirit after the photographer Karst snatched his cigar away, I found my bliss and looked West. It, the actual skinned racoon, rested on my lap lending me aid and comfort. So I was not in full regalia as a Davy Crockett wanna-be, but the spirit of adventure settled over me. And we did move West shortly thereafter.

My second modeling opportunity occurred on a family trip to Europe when I was 13, retracing some of my Dad’s WWll action. Groggy from jet lag (we flew Icelandic Air , a prop jet, that took forever) , we wandered over to a restaurant area. Mom requested Dad go down steep steps for reconnaissance, to check out the Brush and Pallet situated underground. Given my parents love of art, this spot seemed appropriate. Dad gave the thumbs up and we descended into what would become, not Dante’s Inferno, but Tommy’s heaven. Waitresses wore smocks that reached down just over their hips and net stockings gripped their long legs. Toes tantalizingly peaked out from stiletto heeled shoes. When pouring water, their firm upper thighs were within inches of my face. We ordered, though I had a hard time focusing on the menu. As we received our first course, a curtain was pulled back at the end of the room revealing a nude model reclining on a sofa. Oh, Lordy could life get any better! My parents took this all in, and just kept on sipping their soup. I have no recollection of what was on my dinner plate, since with new glasses , I kept grabbing glances of the models who rotated, taking various Odalisque positions throughout the night. After dessert, my parents had me sit for a portrait to be drawn by a resident artist. RIGHT next to the stage! It was CRUEL. I was forced to keep my head facing away from the stage. I totally strained my peripheral vision to sustain me in this torture. The portrait failed to depict the blushing in my cheeks that was so evident to me. Hormones were raging. Maybe this was an inferno with temptation just out of reach, driving me insane with juvenile lust.

I modeled once as an adult, for an art school (Now called the Gage Academy). The founders lived next door, and I think they were desperate to find someone to sit in a class that focused on Titian’s technique . (Given the many years he painted and his evolving technical approaches over time, this class must have been intense.) My one stipulation was that I would not pose nude. Apparently baring all, was not necessary. I arrived fulled clothed for the part, with blue velvet hat, Afghan silk embroidered shirt and Afghan silk coat of many colors. I entered the studio with some trepidation, recalling a childhood incident when I was cast as Page in Sleeping Beauty (having been demoted from Prince after I actually kissed the “sleeping” beauty – to her utter disgust. I thought they were looking for verisimilitude with method acting.) I arrived to class in full costume, complete with tights and puffy shorts- only to find out I had the wrong day and everyone laughed and I retreated to a dark closet to change, totally embarrassed , and committed to never act again. This time it appeared no other models had shown up in a “period”costume, so rather than laugh me out of the room and force a retreat to a closet, they yearned for me to stay in character. I was in a Titian place suited to the moment. Yet sitting in one position for 25 minutes straight and only 5 minutes break before resuming a pose…well I think models deserve respect. They should demand a massage between sittings.

Exposing oneself to as many Vermeers as possible in a short amount of time, is perhaps admitting you are a glutton for punishment. Can one be overexposed? Does it add value in knowing that an artist produced so few works and those works are scattered around the globe, and to see them means a true seeking of beauty. In this Rijksmuseum setting, one can feel overwhelmed with such a large dose of the extraordinary. I felt a pang of guilt not spending enough time with any one piece (trying to avoid a “seen that, done that” posture), like moving too abruptly from friend to friend at a party. Am I doing them a disservice, being rude in turning my back on greatness?

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